The Hive at Milton House is committed to embracing and tilting its hat to the lively atmosphere of Fitzroy Street, St Kilda, drawing inspiration from the historical and architectural splendor of the Milton House building. In doing so, it has curated a collection of art proudly celebrating the talents of established and emerging Australian artists within its halls. Each piece within The Hive at Milton House art collection
narrates a unique and captivating story, and reflects the iconic essence of the St Kilda neighborhood.
Nestled along the vibrant shores of Port Phillip Bay, St Kilda is the epitome of Melbourne’s rich and diverse artistic culture. This iconic neighborhood has long been a creative hub, fostering a dynamic atmosphere that draws artists, musicians, and enthusiasts from all walks of life. From the bohemian charm of Acland Street to the historic allure of Luna Park, St Kilda’s artistic tapestry is woven into the very fabric of its streets, where historic architecture harmoniously coexists with contemporary expressions.
Today, St Kilda stands as a living canvas, echoing the enduring work of legendary artists and visionaries, who have made a profound impact on the art and cultural landscape of this beachside neighbourhood.
The Hive at Milton House art collection exhibits visual stories from the talented hands of Australian artists. As you journey through the art collection, immerse yourself in the artistic and cultural legacy that intertwines with the rich history and vibrant spirit of St Kilda.
Untitled 2003
Richard Yukenbarri Tjakamarra
Language Group: Pintupi
Richard is the son of Balgo artist Lucy Yukenbarri, and stepson of Helicopter Tjungurrayi. Lucy was pregnant with Richard as she walked north along the Canning Stock Route.
He was born at Parnkupiti Creek, which runs into Lake Gregory, and he grew up on Balgo Mission. He now lives in Kiwirrkurra with his wife, Takariya, who was one of the last people to leave a traditional desert life in 1984. Richard’s paintings relate to Kalyuyangku which is the flat Country east of the Canning Stock Route between Kunawarritji [Well 33] and Jupiter Well. My father’s Country. Tingari Country and also Wati Kutjarra [Two Men] place. The Wati Kutjarra were cousinbrothers, Tjampitjin and Tjapaljarri, traveling north-east.
Richard’s paintings were included in the Canning Stock Route Exhibition which toured Australia from 2010 to 2013 and was curated by the Australian Museum.
Beach Figure II ed. 17/25
Graham Fransella
Graham Fransella is a renowned abstract artist. His work is represented at the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Queensland Art Gallery, Parliament House, Print Council of Australia, and Artbank.
In Fransella’s own words:
“I have always had a liking for images which engage the eye and drawings that are spontaneously arrived at rather than pre-ordained. Pictures may appear simple, initially, but they reveal much more after contemplation. A good picture should be able to bear lots of looking at.”
Old School St Kilda Lifesavers c.1968
Rennie Ellis
Rennie Ellis, an award winning photographer and writer of 21 books. His photographic prowess has gained international recognition, with exhibitions spanning Australia and beyond.
For Ellis, photography was a journey into the lives of others, documented through images that range from the overt and direct to those infused with enigmatic subtleties, exploring nuances of gesture and the significance of ritual. His photographs often raise more questions than answers, reflecting a three-decade-long quest to record the idiosyncrasies
of human behavior across the globe.
Oil Pastels on Arches Paper
Miranda Russell
Miranda Russell is an Australian artist, who embarks on a creative journey that explores form and movement through bold and confident gestures. Her unique approach to art is shaped by careful consideration of timing and mood, essential elements that contribute to the creation of her expressive works.
‘A raw and honest dialogue of form, colour, memory, and landscape together expresses imagery within, with which I escape from reality. My work provides me with great calm and simplicity in an often chaotic world.’
Dismissal, Labour Party Rally 1975
Rennie Ellis
“Photography was a way of indulging my voyeuristic predilections and involving me with people and situations that might normally be outside my experience”
Blues A/P
David Larwill
Born in Ballarat Victoria, David Larwill is a distinctive and charismatic figure of Australian art. He rose to prominence as a co-founder of Roar Studios in 1982, one of Melbourne’s earliest and fiercest artist-run-initiatives. In his role, Larwill devised an innovative expressionist style that eschewed aesthetic conventions. While populated with naive childlike forms, his images emanate raw, primal energy.
Mirka Mora c.1973
Rennie Eillis
“My main interest in photography is social realism. I see the camera as a universal tool for communication”
Oil pastel and Arches paper
Miranda Russell
“Inspiration comes from within. My works are an expression of me in my environment. However, I have always held a great love and passion for the Australian landscape. Having grown up in regional Australia, I suppose, influences me in ways I cannot quite pinpoint, but again I think it is largely aesthetic based.”
He was born at Parnkupiti Creek, which runs into Lake Gregory, and he grew up on Balgo Mission. He now lives in Kiwirrkurra with his wife, Takariya, who was one of the last people to leave a traditional desert life in 1984. Richard’s paintings relate to Kalyuyangku which is the flat Country east of the Canning Stock Route between Kunawarritji [Well 33] and Jupiter Well. My father’s Country. Tingari Country and also Wati Kutjarra [Two Men] place. The Wati Kutjarra were cousinbrothers, Tjampitjin and Tjapaljarri, traveling north-east.
Richard’s paintings were included in the Canning Stock Route Exhibition which toured Australia from 2010 to 2013 and was curated by the Australian Museum.
